My sophomore year of high school I took an art history class. As a theater major this course was strictly an elective but it fit in quite well with the 3 other history courses in my class schedule (World History, Theater History and Plays and Playwrights which was essentially literary history). Taking the courses concurrently meant that as we studied Roman history in my world history class we studied ancient roman art in art history, Roman theater in Theater History, and read the Roman version of Medea in Plays and playwrights. Knowing the courses synced together so perfectly, I took an entire year of Geometry over the summer to have the space open for art history. The sacrifice was well worth it as I fell in love. It was by far my favorite course and the course was so thorough that when I took a contemporary art history course later in college, it was all review. My art history teacher was David Bewley he was a sculptor who studied Byzantine art history for his PhD but ended up with only a Masters after someone scooped his dissertation. His love of teaching and enthusiasm for art history made his class a standout and I credit him with my lifelong love of Bernini.
Selected works by Bernini as photographed by Sean and Krystal in Rome 2017 |
Scenes from Chiesa Santa Maria della Vittora |
What struck me as a teenager seeing images of this statue blown up on an overhead projector was her foot. The way it dangles outward cantilever. The gentle curve of the arch in pleasure. The delicate and realistic look of the foot chiseled with marble was something that not only impressed me but was forever burned into my mind. The piece is particularly famous not for the foot I love but for the draping of her outfit. The dynamic movement in the robes is not only dramatic but unique. Bernini was truly a gifted artist, a child prodigy and his talent unmatched in my opinion among stone sculptors.
Not quite a religious vision but a blinking sign in the corner of the church reading "Postcards" in five languages caught my attention. I felt compelled to pass through the marble doorway, walk along the narrow door-lined corridor to what had to be the world's strangest gift shop. The dusty backroom had a priest working at a desk, a trophy case of worn ceremonial clothes and a small gift shop selling postcards, books alongside limoncello and assorted medicinal/beauty supplies made by monks. Not wanting to walk around all day with a bottle of digestif, I settled on a matchbook sized foldout book of cards featuring glossy photos of Bernini sculptures for 1 Euro.
Spanish Steps in Rome 2017 |
Above: Photo of the Trevi Fountain Below: Obligatory selfie in front of said Fountain |
Equally as busy was the nearby Trevi Fountain. This is fountain is massive almost 90 feet tall and 160 feet across. It was originally a portion of the city's aquaduct until the early 1600s when Bernini was commissioned to redesign the fountain. Bernini's plans were never completed and the current fountain was completed in the 1700s.
By this point we were ready for lunch. Eating in touristy areas are always dicey. Most restaurants serve over-priced mediocre food. Thankfully we managed to track down a charcuterie shop (La Proscutteria-Trevi there are two other locations another in Rome and one in Florence) that isn't technically licensed as a restaurant but with a little self-service allowed for an impressive meal.
#Bestlunchever |
After lunch we made our way to the Villa Borghese. This large city park sits atop a hill and is vaguely reminiscent of Balboa Park in San Diego or El Retiro in Madrid.
Scenes from the Villa Borghese |
Photographs of some of the Villa Borghese gallery pieces taken during our 2017 trip. Including Leda and the Swan by Leonardo da Vinci (Bottom Right) and Saint Jerome by Caravaggio (Bottom Center) |
I have been to some of the top art museums in the world but the collection at the Villa Borghese is a show-stopper. The museum is only two floors one floor of painting and one floor of sculpture but it has to have one of the highest grand-master pieces per square foot ratio of any art museum I have been to. One whole room is all Caravaggio paintings. In addition to the impressive collection of framed paintings and sculptures, each room of the gallery is adorned with ornately painted walls and some of the most vibrant paintings I have seen on the ceiling. The largest gallery is easily 30 feet across and the whole ceiling is a comprised of vaulted vignettes with a large scene in the center all framed with exquisite paintings of marble statues that appear to be holding it up. Dynamically posed with different expressions and personality. Capturing these types of large scale works is difficult although I do have a decent panoramic photo I took that will look pretty awesome in a VR headset like our google daydream when we get home.
The collection features three of Bernini's most famous sculptures including my professor David Bewley's favorite piece Apollo and Daphne. Many years ago when we first considered going to Italy I messaged Mr. Bewley on Facebook and asked him about recommendations (he has since deleted his profile but I kept the message). He mentioned the best way to view this statue is to start behind Apollo and walk counterclockwise around the statue to watch the story unfold. It was difficult to capture the majesty and movement of this piece but I attempted to photograph it in the same order suggested.
Collage showing Bernini's Apollo and Daphne from four angles tinted mono-chromatically for effect |
Rape of Prosperpina by Bernini from multiple angels in both original color and stylized |
Of everything we had seen in Rome the Gallery Borghese was by far my favorite. A standout collection that spawned many conversations about the importance of religion in art patronage, the challenges of curating public museum collections when such fine pieces are held by private collectors, and the history of wealth and corruption among prominent families in Italy with Vatican ties. After such an eventful day we headed back to our apartment and enjoyed a quiet casual pizza dinner. It was satisfying after a long day of walking and incredibly inexpensive but not worthy of description.
Stay tuned for the next post featuring a course by course description of our 7 course tasting menu from a Michelin Star restaurant in Rome!
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